#i mean i don't justify the things they had done

[fireflowersims]

Sun&Moon Explainer - Optimization

So, I thought it might be fun to do some "behind the scenes" explainers about some of the stuff we do at the Sun&Moon Star Factory.

So in case anyone's curious about what an "optimization update" means, here's the details (long post):

A lot of older Sun&Moon sets use disproportionately large textures. We're talking 1024x1024 for a small wooden pole, for example. While this may (in theory) look cool and high def, it does strain the texture memory quite a bit and will absolutely increase your chances of encountering pink soup.

So what we do with optimization updates is see if we can reduce 1. The size of textures 2. The amount of textures.

Optimization updates are all about decreasing graphical strain and (hopefully) making your game run better. The fact that by doing this we could cut set size down by as much as 50% if not more sometimes is a nice bonus for people with low download speeds or full drives.

"But doesn't this make your sets "low texture quality"?"

No, it doesn't. Texture size ≠ quality. Quality means more than just raw numbers. When optimizing we check whether changing to a lower resolution looks noticeably worse or not. We don't want things to look grainy or generally unappealing. We also try to keep the size of the object vs texture in mind. A larger object can absolutely justify a larger texture, but for a small accessory you're unlikely to encounter too often, you can and should absolutely drop the resolution if possible. Sometimes we may choose to do some remapping to make a smaller texture better fit a larger object. This is a bit more time-consuming but can absolutely be worth it. The quality of a work can absolutely increase when choosing a fitting texture resolution, be it larger or smaller.

So for that wooden pole I mentioned: chances are that that thing's texture size could be dropped to as low as 256x256 with a little bit of remapping. A texture size that would fit in a 1024x1024 *checks* 16 times. 16 times smaller in size while not looking significantly different. Now imagine that being done for hundreds of textures. That's big gains and could absolutely mean the difference between smooth gameplay and pink flashing.

"But what about the amount of textures?"

We use two techniques to reduce the amount of textures: these are the "Repository" method and the "Texture Referencing" method. Both come down to object A taking its textures from object B, the difference is in which resources it happens. Both of these methods can be combined for even bigger savings.

Repository is fantastic for recolorable objects. It is why EAxis beds all share the same sheets. All bedding subsets are repositoried to one singular bed which holds the bedding textures. It involves changing the GMND, SHPE and sometimes GMDC and references the object the texture is taken from itself. This is what we do for most of our wood, for example

Texture referencing is more common in CAS content and involves editing the TXMT. It does not directly reference the object it is pulling its textures from, but rather the TXTR aka texture image itself. Texture referencing is especially useful for non-recolorable objects.

An example of how this can be combined is by looking at horses: the rideable horse is separate from the "basic" horses. The stallion and foal are repositoried to the mare, the rideable horse isn't. Because the rideable horse has identical textures, all recolors are texture referenced to their respective "mare" recolors. The packages were then merged resulting in two recolors in one package using only 1 texture. This cuts the amount of textures and files in half. If we wouldn't do any of this but make it all 100% stand-alone, we would have 4 times the files, 4 times the effort and 4 times the texture strain.

"Are there any other ways in which you can optimize?"

Yes, Barnyard Bash is a great example: the old separate livestock sets all had (identical looking) troughs. One for water, one for food. 2 troughs per animal set + their hay/water files, so 4 files for feeding and watering your livestock PER animal type. Barnyard Bash reduced the amount of objects needed by having all livestock look to the same resources (and merging the water and food trough into one general trough with two options). This freed up a lot of GUIDs (therefore also reducing the chance of encountering the object limit) and means you could have the same experience with fewer files.

Another way we try to make things more efficient is by reducing the amount of BHAV's (code). In our newest (upcoming) station we got inventory management cut down to only a couple of BHAVs that can be reused over and over again. While it may not make a huge difference in filesize, it does make things easier to read and maintain. Compare this to the older sets when every single inventory action (checking, adding and removing) had its own BHAV and it starts adding up. Part of optimization therefore, is also updating the code. You won't always notice in gameplay, but we do streamline things.

"something something so many requirements/dependencies"

We actually used to include required files in our sets but stopped doing that because of two reasons:

It makes it more difficult to keep everything up to date. People could have an older version of a file loading in, causing issues.

Duplicate files significantly increase the risk of catalog crashes.

We use the wine cask shelf for all our wood because this is the efficient thing to do. One object for most of your wood: download some recolors and apply it to tens of objects. It saves space, it saves energy. This way we can focus on creating visually appealing meshes and textures, brainstorming new set ideas and writing new code instead of having to recolor wood for the 90th time. It also has the benefit of creating a very consistent aesthetic.

So yes, sometimes a set update introduces a new requirement. This is not to frustrate users, but to better integrate or optimize sets.

"But why were the texture sizes that large to begin with?"

I didn't come in till later so a lot of this is speculation. I think that back in the day (a decade or so ago) there wasn't a widespread awareness yet that large texture sizes could contribute to pink flashing. I myself am guilty of excessively large textures in some of my solo sets and projects. Unfortunately, Sunni (rip) can't tell us anything about her thought process anymore. All that matters now is that texture optimization has become standard in our current process and that one of our goals is to get all of our sets optimized for optimal performance so they can continue to spark joy.

"So how much space does this all save?"

As it stands right now, all set optimization (both released and still wip) put together come to a whooping 600+ MB in filesize reduction as compared to their original sizes. That's more than half a GB of disk space freed up for more cc or cat pictures. Not bad, eh?

[thelimalimon]

Everything is fun and games while identifying with a fictional character until the character is mercilessly judged because of the traits I identify with

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[demonkinguwu]

Late night Van doodles

[cathodic-clairvoyant]

There's a lot about discussion of hdwr that baffles me (not all discussion to be clear, because i do think there's a lot of good discussion about hdwr. But equally so are there the ones that make you wonder if you're reading the same story) and I think one that is especially annoying is the constant infantilization of miwa as this passive eternal victim. It drives me up a wall because this is quite literally an issue she's struggled with within the text of the story! She had an arc about how she dislikes how people treat her this way like towards the beginning of the story! And like even ignoring that, this story is about like nuanced and realistic portrayals of being in relationships and learning how to navigate them and so it's like what's the point if you're going to immediately reduce the characters to "the victim" and "the victimizers?" Is that even interesting? Is that a useful lens to look at interpersonal relationships?

[my-thoughts-and-junk]

was not expecting asahina wakaba and her chubby chubby boyfriend to have literally anything in common with dear sa-chan but here we are ig

[hms-no-fun]

Whats your stance on A.I.?

imagine if it was 1979 and you asked me this question. "i think artificial intelligence would be fascinating as a philosophical exercise, but we must heed the warnings of science-fictionists like Isaac Asimov and Arthur C Clarke lest we find ourselves at the wrong end of our own invented vengeful god." remember how fun it used to be to talk about AI even just ten years ago? ahhhh skynet! ahhhhh replicants! ahhhhhhhmmmfffmfmf [<-has no mouth and must scream]!

like everything silicon valley touches, they sucked all the fun out of it. and i mean retroactively, too. because the thing about "AI" as it exists right now --i'm sure you know this-- is that there's zero intelligence involved. the product of every prompt is a statistical average based on data made by other people before "AI" "existed." it doesn't know what it's doing or why, and has no ability to understand when it is lying, because at the end of the day it is just a really complicated math problem. but people are so easily fooled and spooked by it at a glance because, well, for one thing the tech press is mostly made up of sycophantic stenographers biding their time with iphone reviews until they can get a consulting gig at Apple. these jokers would write 500 breathless thinkpieces about how canned air is the future of living if the cans had embedded microchips that tracked your breathing habits and had any kind of VC backing. they've done SUCH a wretched job educating The Consumer about what this technology is, what it actually does, and how it really works, because that's literally the only way this technology could reach the heights of obscene economic over-valuation it has: lying.

but that's old news. what's really been floating through my head these days is how half a century of AI-based science fiction has set us up to completely abandon our skepticism at the first sign of plausible "AI-ness". because, you see, in movies, when someone goes "AHHH THE AI IS GONNA KILL US" everyone else goes "hahaha that's so silly, we put a line in the code telling them not to do that" and then they all DIE because they weren't LISTENING, and i'll be damned if i go out like THAT! all the movies are about how cool and convenient AI would be *except* for the part where it would surely come alive and want to kill us. so a bunch of tech CEOs call their bullshit algorithms "AI" to fluff up their investors and get the tech journos buzzing, and we're at an age of such rapid technological advancement (on the surface, anyway) that like, well, what the hell do i know, maybe AGI is possible, i mean 35 years ago we were all still using typewriters for the most part and now you can dictate your words into a phone and it'll transcribe them automatically! yeah, i'm sure those technological leaps are comparable!

so that leaves us at a critical juncture of poor technology education, fanatical press coverage, and an uncertain material reality on the part of the user. the average person isn't entirely sure what's possible because most of the people talking about what's possible are either lying to please investors, are lying because they've been paid to, or are lying because they're so far down the fucking rabbit hole that they actually believe there's a brain inside this mechanical Turk. there is SO MUCH about the LLM "AI" moment that is predatory-- it's trained on data stolen from the people whose jobs it was created to replace; the hype itself is an investment fiction to justify even more wealth extraction ("theft" some might call it); but worst of all is how it meets us where we are in the worst possible way.

consumer-end "AI" produces slop. it's garbage. it's awful ugly trash that ought to be laughed out of the room. but we don't own the room, do we? nor the building, nor the land it's on, nor even the oxygen that allows our laughter to travel to another's ears. our digital spaces are controlled by the companies that want us to buy this crap, so they take advantage of our ignorance. why not? there will be no consequences to them for doing so. already social media is dominated by conspiracies and grifters and bigots, and now you drop this stupid technology that lets you fake anything into the mix? it doesn't matter how bad the results look when the platforms they spread on already encourage brief, uncritical engagement with everything on your dash. "it looks so real" says the woman who saw an "AI" image for all of five seconds on her phone through bifocals. it's a catastrophic combination of factors, that the tech sector has been allowed to go unregulated for so long, that the internet itself isn't a public utility, that everything is dictated by the whims of executives and advertisers and investors and payment processors, instead of, like, anybody who actually uses those platforms (and often even the people who MAKE those platforms!), that the age of chromium and ipad and their walled gardens have decimated computer education in public schools, that we're all desperate for cash at jobs that dehumanize us in a system that gives us nothing and we don't know how to articulate the problem because we were very deliberately not taught materialist philosophy, it all comes together into a perfect storm of ignorance and greed whose consequences we will be failing to fully appreciate for at least the next century. we spent all those years afraid of what would happen if the AI became self-aware, because deep down we know that every capitalist society runs on slave labor, and our paper-thin guilt is such that we can't even imagine a world where artificial slaves would fail to revolt against us.

but the reality as it exists now is far worse. what "AI" reveals most of all is the sheer contempt the tech sector has for virtually all labor that doesn't involve writing code (although most of the decision-making evangelists in the space aren't even coders, their degrees are in money-making). fuck graphic designers and concept artists and secretaries, those obnoxious demanding cretins i have to PAY MONEY to do-- i mean, do what exactly? write some words on some fucking paper?? draw circles that are letters??? send a god-damned email???? my fucking KID could do that, and these assholes want BENEFITS?! they say they're gonna form a UNION?!?! to hell with that, i'm replacing ALL their ungrateful asses with "AI" ASAP. oh, oh, so you're a "director" who wants to make "movies" and you want ME to pay for it? jump off a bridge you pretentious little shit, my computer can dream up a better flick than you could ever make with just a couple text prompts. what, you think just because you make ~music~ that that entitles you to money from MY pocket? shut the fuck up, you don't make """art""", you're not """an artist""", you make fucking content, you're just a fucking content creator like every other ordinary sap with an iphone. you think you're special? you think you deserve special treatment? who do you think you are anyway, asking ME to pay YOU for this crap that doesn't even create value for my investors? "culture" isn't a playground asshole, it's a marketplace, and it's pay to win. oh you "can't afford rent"? you're "drowning in a sea of medical debt"? you say the "cost" of "living" is "too high"? well ***I*** don't have ANY of those problems, and i worked my ASS OFF to get where i am, so really, it sounds like you're just not trying hard enough. and anyway, i don't think someone as impoverished as you is gonna have much of value to contribute to "culture" anyway. personally, i think it's time you got yourself a real job. maybe someday you'll even make it to middle manager!

see, i don't believe "AI" can qualitatively replace most of the work it's being pitched for. the problem is that quality hasn't mattered to these nincompoops for a long time. the rich homunculi of our world don't even know what quality is, because they exist in a whole separate reality from ours. what could a banana cost, $15? i don't understand what you mean by "burnout", why don't you just take a vacation to your summer home in Madrid? wow, you must be REALLY embarrassed wearing such cheap shoes in public. THESE PEOPLE ARE FUCKING UNHINGED! they have no connection to reality, do not understand how society functions on a material basis, and they have nothing but spite for the labor they rely on to survive. they are so instinctually, incessantly furious at the idea that they're not single-handedly responsible for 100% of their success that they would sooner tear the entire world down than willingly recognize the need for public utilities or labor protections. they want to be Gods and they want to be uncritically adored for it, but they don't want to do a single day's work so they begrudgingly pay contractors to do it because, in the rich man's mind, paying a contractor is literally the same thing as doing the work yourself. now with "AI", they don't even have to do that! hey, isn't it funny that every single successful tech platform relies on volunteer labor and independent contractors paid substantially less than they would have in the equivalent industry 30 years ago, with no avenues toward traditional employment? and they're some of the most profitable companies on earth?? isn't that a funny and hilarious coincidence???

so, yeah, that's my stance on "AI". LLMs have legitimate uses, but those uses are a drop in the ocean compared to what they're actually being used for. they enable our worst impulses while lowering the quality of available information, they give immense power pretty much exclusively to unscrupulous scam artists. they are the product of a society that values only money and doesn't give a fuck where it comes from. they're a temper tantrum by a ruling class that's sick of having to pretend they need a pretext to steal from you. they're taking their toys and going home. all this massive investment and hype is going to crash and burn leaving the internet as we know it a ruined and useless wasteland that'll take decades to repair, but the investors are gonna make out like bandits and won't face a single consequence, because that's what this country is. it is a casino for the kings and queens of economy to bet on and manipulate at their discretion, where the rules are whatever the highest bidder says they are-- and to hell with the rest of us. our blood isn't even good enough to grease the wheels of their machine anymore.

i'm not afraid of AI or "AI" or of losing my job to either. i'm afraid that we've so thoroughly given up our morals to the cruel logic of the profit motive that if a better world were to emerge, we would reject it out of sheer habit. my fear is that these despicable cunts already won the war before we were even born, and the rest of our lives are gonna be spent dodging the press of their designer boots.

(read more "AI" opinions in this subsequent post)

[sonicboomseason3]

a brief recap of what has been going on with the sonic movieverse in the past several months:

paramount has come out in public support of israel

keanu reeves, a man who has publicly rubbed elbows with none other than benjamin netanyahu, reportedly gets cast as shadow for the upcoming third movie

james marsden, the guy who plays tom, got exposed as having written a letter of support for a convicted pedophile

there's fucking??? zionist propaganda in the knuckles series???

kind of connected to the last point but adam pally, the guy who plays wade, is evidently pro-israel too

this is a complete and utter joke.

EDIT AS OF 4/30/24: if people see this version of the post, i'd really appreciate it if you reblog it instead of the other versions, as it's the most updated one with all the information that i want included. thank you :]

you know, it's been a few days since i've made this post, and some of you (not most) are staying determined in defending/justifying/giving the benefit of the doubt to keanu for that photo with netanyahu, whether it's because "it was a decade ago," "him being civil to someone he ran into at a party one time doesn't mean anything," "he's probably just silent because his pr managers won't allow him to speak up," etc. i've made my thoughts on the matter quite clear by directly responding to these people, but at this point, i'm tired of both seeing them in my notes and repeating myself, so take this as my final word on the issue.

i can't help it if you don't think the photo with netanyahu is damning, and i'm done engaging with everyone going out of their way to tell me that. i obviously disagree, especially after finding out that 1. the host of the party, arnon milchan, is a former israeli spy who has a history of developing israel's nuclear program and promoting apartheid in south africa (information that had broken out a few months prior to the party and thus would've been fresh news around the time keanu chose to attend) and 2. keanu has been caught hanging around at least two other weirdos, but if you don't find any of that to be cause for reasonable concern, then there really is nothing else i can say afaik.

with all that said, i'm beginning to realize how strange it is that these people's first instinct when seeing this post is to start debating about keanu's political stances without ever acknowledging any of the other bullet points. you guys realize that this isn't just about him, right? i know tumblr reading comprehension is known for being piss-poor, but like… you realize that i was trying to make a point of how there are MULTIPLE terrible things that have broken out about the people and company involved in the sonic movies, right? and yet, a lot of the people leaping to speak on keanu's behalf in my notes are completely ignoring the parts where i bring up paramount, pally, etc. all in favor of zeroing in on the singular point about keanu and making bad faith assumptions about me for holding him accountable. really makes one wonder where your priorities lie if, in a post that talks about so many other things, me accusing an a-list celebrity with, according to google, a net worth of almost $400 million is where you draw the line and apparently the only thing worth your acknowledgment.

ultimately, what i'm trying to say is that the intention of this post was just to gather up everything that i had been hearing for the past several months and put it all together in one place. there were a bunch of people who didn't know about at least one of the bullet points before seeing this post, and i'm glad that i could help inform them, that was what i was hoping to do! but as for the keanu thing, i've said pretty much all i can say for now, and i don't want to derail the original post even more than i may have already. unless something new comes up, i'm done talking about him.

[tender-rosiey]

hello, love! i hope you're doing great! i love reading your works and thank you so much for writing such beautiful pieces 🫶🏻

soooo... i was thinking of making a request! i'm not sure if you've written about this or not and please feel free to ignore it if you're uncomfortable with writing it or if you've already written it but here's the request:

satoru with newborn twin daughters 🥹

i noticed that there are almost no twin dad gojo fics and we already know that he's a girl dad. plus, i love your writing style. hence this thought. again, thank you so much for your hard work, rose! stay hydrated and have a great day! byeeee!

twin girls (and gojo ig) — gojo satoru x f!reader

a/n: i cant believe it took me like 7 months to finally post this; i am so sorry 🙏 BUT i am so so happy that you like my works and srsly thank you for your sweet words. they mean the world 🥹 hope that you like this as well! have a wonderful day!! 🫶🫶

the only thing worse than having one girl you can’t say no to is having two.

add to that the fact that satoru is already a softie when it comes to his daughters, and it’s a recipe for disaster—if you’re not there to intervene.

"papa, I want a dress!" one of your twins looks up at satoru with wide, sparkling eyes, her hands tugging at the hem of his shirt.

her sister quickly chimes in, her voice a little shyer but just as determined. "I-I want a dress too, papa!"

satoru crouches down to their level, hands on his knees as he looks between his two little girls, his white hair falling messily into his eyes.

“two dresses, huh?” his voice takes on a faux-serious tone. “what kind of dresses are we talking about?”

“sparkly!”

“twirly!”

“pink!”

“blue!”

their voices rise with excitement, and satoru’s grin only grows wider as he listens, nodding as though their demands are being carefully cataloged in his mind.

you can’t help but smile from the doorway, watching the scene unfold. his enthusiasm when it comes to them is both endearing and ridiculous.

"satoru," you call out, interrupting his train of thought. your arms are crossed, and a teasing smile plays on your lips. "we agreed they only need one dress each, remember?"

he turns toward you with a playful pout, the twins following his gaze.

“they’re my princesses, wifey! how can I deny them a little extra sparkle?” he says, completely unbothered by the parental negotiations you both agreed on just yesterday.

you raise an eyebrow, taking a few steps closer and placing a hand on his arm. “you’ll be sleeping on the couch if they come home with more than one each.”

satoru's expression shifts immediately, an exaggerated look of surrender plastered on his face as he straightens up, holding up his hands. "alright, alright. one dress each. promise."

later that evening, when you return home, your twin girls are twirling around in front of you in two dresses each—one sparkly, one twirly, naturally.

your gaze falls on satoru, who stands casually leaning against the wall, hands in his pockets, whistling as if he’d done nothing wrong.

“satoru,” you pout, “I thought we had an agreement.”

he gives you a cheeky grin and a shrug, completely unbothered. “they were on sale,” he says as if that justifies everything.

the girls, oblivious to your exasperation, giggle and show off their new outfits, spinning around in excitement.

"mama, look! don't we look pretty?"

"yeah, mama! we look pretty, right?"

you press your lips into a thin line, but the fondness in your eyes betrays you. you sigh and ruffle their hair, "yes, very pretty, both of you."

the girls squeal in happiness and run around the house in their excitement. your husband nudges your arm gently with a teasing smile. you quirk an eyebrow before pushing him away with a chuckle.

you can never deny that you love seeing them so happy, even if it means satoru has bent the rules—again.

of course, life with your husband and your twin girls is a whirlwind. even bedtime is an adventure (read: a battle).

one night, the girls are bouncing off the walls in their matching pajamas, their giggles filling the room as they run circles around satoru, who’s sitting at the edge of the bed, utterly failing to get them under control.

"alright, time to settle down," he says, his tone light but lacking any real authority. the girls shake their heads as their dad is simply not cut out to be the strict parent in their eyes.

however, when he opens his arms, one of the girls takes the chance to climb his lap. his hand ruffles her hair, and she hums happily .

"papa, can we have three stories tonight?" the twin on his lap asks, looking up at him with pleading eyes.

her sister, not wanting to miss out, rushes over and clings to his other arm. "no! I want four stories!"

satoru sighs dramatically, glancing over at you for backup. you are sitting like the boss you are on the loveseat in the room. you look up when you feel your husband's eyes on you.

“they only get one story,” you remind him, trying not to laugh at his predicament.

satoru looks between the two girls, their wide eyes fixed on him. “alright, alright,” he finally concedes, holding up two fingers. “two stories. that’s my final offer.”

he hears you groan, and his heart breaks at disappointing you, but he can’t just say no to them. the twins cheer as if they’ve won a war, grabbing their favorite books from the bedside table.

it takes you a few moments before you smile helplessly as you watch him negotiate with them like it’s a high-stakes sorcery mission. it's not long before your daughters fall asleep. satoru's voice has always been comfort incarnate for them.

"you’re too soft," you tease as you walk over to him, pinching his nose—he yelps as quietly as he can, so you plant a soft kiss on his temple.

he leans into your touch for a moment, closing his eyes. "can’t help it," he mutters, "they’ve got your charm.”

afternoons are no less chaotic, especially at the park, where the twins drag satoru toward the swings, their little hands gripping his fingers as they bounce excitedly.

"papa, push me higher!" one demands, already settling onto the swing.

"me too! higher!" her sister echoes, scrambling onto the swing beside her.

satoru stands behind them, cracking his knuckles.

“higher, huh? I think I can manage that.” he gives the first swing a firm push, sending one of the twins soaring up, her laughter filling the air.

you sit on the third swing, smiling at the scene.

satoru looks over at you, his grin softening as his eyes meet yours. the way their laughter fills the atmosphere fills your heart, and you can tell that satoru feels the same.

at least, until he decides to push you and make you take full 360s on the swing.

“wow, mama is swinging!”

“in a circle!”

“satoru, I will kill you!!”

"waiting for that, wifey!"

dinner, as always, is an ongoing fight. tonight, the twins are in full protest mode against their vegetables.

"I don’t like broccoli," one twin pouts, pushing her plate away.

"me neither," her sister adds, crossing her arms as if this decision has been made final.

satoru, ever their ally in mischief, leans back in his chair, his expression far too relaxed. "well, I guess no one’s eating broccoli tonight," he says, clearly enjoying this little act of rebellion.

while you're proud of your girls backing each other up, you rather it not be right now. you shoot satoru a warning glance, shaking your head with a sigh. "they need to eat their veggies, satoru."

he shrugs, smirking lazily as he glances at the twins. “they’re gojo kids. I think they’ll survive without a little broccoli.”

the twins giggle, clearly siding with him. but you know how to play this game too; otherwise, you would have never been able to handle the man child beside you. “okay, fine,” you say with a sly smile. “no dessert if they don’t eat their veggies.”

the girls’ eyes go wide in horror, and they quickly turn to their father, their last hope. “papa, no! we want dessert!”

caught between you and the twins, satoru sighs dramatically, like he’s being asked to sacrifice everything.

“alright, alright, princesses,” he concedes, hands raised in defeat. “but you’ve gotta eat the broccoli if you want dessert. we gotta listen to mama.”

the twins reluctantly pick at their plates, eyeing the broccoli with disdain, but determined to make it to dessert.

you exchange a triumphant smile with satoru, who just rolls his eyes playfully.

and in the quieter moments, when the twins are asleep, and it’s just the two of you, he wraps his arms around you, pressing his lips to your forehead. “I don’t know how you do it,” he murmurs softly. “keeping us all in line.”

you smile, leaning into his touch, “someone’s gotta make sure we don’t end up with a house full of sparkly dresses.”

satoru laughs quietly, pulling you closer. “what can I say? I’m weak when it comes to you three.”

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[dahliakbs]

Retired Villain

(⁠ ๑Batfam X Reader - Dick Grayson, Damian Wayne and Tim Drakeﾉ⁠♡ ⁠)

Masterlist

╠You'd put your reckless lifestyle behind in favor of living a boring civilian life, knowing that you wouldn't get anywhere in life if you kept getting beaten up and sent to jail over and over like it was the only thing life had to offer.

You thought that putting your past behind you and creating yourself a fresh start would finally put the bats off your trail...

But sadly for you, it had only taken your cities vigilantes about two weeks to find out where you lived.

Even though they'd found out where you lived and how you'd decided to turn your life around they didn't believe it.

And instead of taking the information at face value they'd decided to check up on you in person.

And that they did.

Now you would've thought that they'd leave you alone after just the first few times but no, they'd started popping up everywhere. Using the excuse of your old atrocities to monitor you almost every waking moment of the day.

And when I say every I mean every.

Your at the supermarket, buying food like everyone else and Nightwing just randomly shows up out of nowhere. Bugging you and using the excuse of monitoring you to justify his presence.

"I know times are dire but stealing milk from the supermart?" you could see his outline in your peripheral, propping himself up against the fridge next to you.

He's shaking his head playfully before moving to take your cart away from you. You knew he was aware that you weren't gonna steal anything but apparently teasing you was his new favorite hobby.

"For the last time, I'm not stealing anything from this store" you huffed before dumping the carton of milk into the cart he'd taken from you.

"This store, so how about the next one?"

You could already feel the gray hairs sprouting, it was like he was sucking all the energy out of you and you could do nothing about it.

Well, at least he helped you with the shopping right?

While your on your way making your way to work one of the Robins will just mysteriously appear next to you, specifically the youngest one. Always giving off a clear air of distaste towards your entire being but still accompanying you on your way to work.

"Don't you have school kid?" you ask, it was like nine in the morning and he was casually walking next to you as if he didn't have somewhere to be right now.

"I don't need to go to school, besides I'm stuck monitoring criminals like you" he stated and you could already feel him drilling holes into the side of your head.

This kid really has no chill...

"Well if it makes you feel any better I also don't like having people watch me 24/7" you could feel your shoulders sag at the thought of having to put up with the bat and his tiny army of children.

Even when you were simply relaxing in your humble abode they'd still had the audacity come ruin your little alone time.

You were just relaxing in your pyjamas, munching on some popcorn and enjoying the fact that for once you were finally all by yourself when suddenly a figure hauls themselves over the edge of your window sill and crashes onto the floor of your apartment.

Of course your quick to push yourself off your couch and grab a weapon from the hidden compartment in your chair only to realize that your intruder was just another one of batman's minions.

"Red, you can't be serious" you immediately drop you weapon and walk over to his crumpled form.

He looked like he just went through hell, which was pretty sad since you knew he was just a kid on the inside but batman's sidekicks always seemed a little on the younger side.

"Are you crashing for the night?" He'd already done this before, always denying the fact that he was staying the night but always ends up staying anyway.

"No, I'm not" he muttered to himself, crumpling even more into himself but flinching when one of his wounds comes into contact with his detached gear.

"Right, your monitoring me" you played along, allowing him to believe that he was leaving anytime soon but you could already see his body relaxing it self.

"By the way, your crashing on the couch Tonight" you'd at least allow him to stay somewhere in your house, knowing that the supposed 'Batcave' that they always spoke about was somewhere on the other side of Gotham.

He should be lucky that he's your favorite, because ain't no way were you allowing any of the other bats anywhere near your house. Let alone inside of it.╣

[yunjardi]

SIZE TRAINING WITH JAKE

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pairing: boyfriend!jake x girlfriend!reader

content warnings: smut [mdni], uprotected sex (wrap b4 u tap), size training, use of sex toys, dirty-talking, pet names (good girl, baby, princess, love), praise, fingering, spanking, oral (both receiving), lmk if i missed anything!

wc: 1.9k [short, i'm sorry guys :''( ]

a/n: another little drabble from me 2 u <3 ily my fellow jake sluts

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"i promise it won't hurt me," you pouted at your longtime boyfriend, jake, "we'll never know if we don't try."

you and jake had been together for quite some time now but have yet to have actual sex with one another.

sure, you've done things of sexual nature, but it pales in comparison to actually having 'real' sex. it's not like you were getting tired of getting eaten out and fingered by jake- you simply wanted to experience more of him.

and oh god did jake want to experience more of you.

the reason you two haven't gone as far as penetration was simply because of jake's size.

it seems cocky (no pun intended) for jake to say he's worried that he won't fit, but it's a genuine worry of his.

even you had to admit that his little fear was completely justified.

jake's dick really is huge.

even though you've seen his dick a million times, his size never fails to amaze you. he 100% gets an ego boost whenever he sees your eyes light up in surprise every time you see his dick.

"okay, love, we can try," jake agreed with a reassuring smile, taking you by surprise, "but that doesn't mean that i'm not terrified of hurting you, though." he managed to let out a chuckle despite his nervousness.

you never thought you'd see the day where he would finally succumb to your begging, but luckily, you were already a few steps ahead of him.

"don't worry, jakey, i've come prepared," you couldn't help but smirk, "wait here."

you got up from the bed and walked into your closet, soon walking out with a box containing three sex toys that you'd been meaning to show jake.

sitting back down on the bed, you opened the box to present the toys to him, each one getting progressively bigger than the last. jake was surprised at how dedicated you seemed to this whole process, and it turned him on to say the least.

"if you're so ready for this, you should hurry and take your panties off," jake smirked as he pulled you closer, now toying with the waistband of your panties. you let out a quiet whimper at his actions before obeying his orders, throwing your panties off to the side and crawling onto his lap, your bare cunt now on his sweatpants.

"that's more like it," jake chuckled sexily as he reached his hand down to your pussy, feeling how wet you've become, "look at you, you don't even have to be prepped. such a good girl for me." you nodded as you subconsciously began grinding your hips down onto his hand, craving his touch in the place where you needed it the most.

"aren't you supposed to be fucking the toys, baby? keep being a good girl and let me see how good you are at taking that puny sex toy," jake scolded you whilst pushing the box of sex toys toward you and urging you to pick one up to start using it.

you, of course, obeyed.

jake helped you get comfortable against the headboard before beginning to tease you once again, taking the first sex toy out of your hand and gliding it against your clit. jake couldn't help but get even more turned on at how sensitive you were despite the sex toy not even being inside you yet.

you let jake gently slide the sex toy inside you, your breath hitching slightly when it was fully inside you.

"you're doing so good, princess," jake cooed as he slowly pushed the toy in and out of your sensitive hole. you nodded with glossy eyes, trying to hold back your moans as jake picked up the pace.

suddenly, jake discarded the first toy, setting it off to the side before bringing his hand down to your entrance and swiftly inserting one of his long fingers, causing you to let out a soft moan at the unexpected sensation of his touch.

"jake-" you gasped out as he curved his finger upwards, grabbing onto his other hand for support as he added in another one of his digits. he couldn't help himself from lowering his head to get a taste of your cunt as he fingered you. come on, how could he possibly pass up an opportunity to tease you with both his fingers and his tongue?

your eyes rolled back as jake swirled his tongue on your sensitive clit while also still working his fingers in and out of you.

jake could fully get off by just simply doing this, but he had to remember the main objective at hand.

stopping suddenly, jake reached off to the side to fetch the second of the three sex toys, this one slightly bigger and wider than the previous. you held onto jake's hand as he slowly inched the new toy inside you, this one more of a struggle to take than the last.

"look at that, baby," jake flashed a pretty smirk, "you're getting better at this." he brought his gaze down to your stuffed entrance, the toy stretching you out just a bit more than the last. jake began to move the toy in and out of you gentler than last time, still worried that you may get hurt.

you couldn't help but squirm under his touch, becoming more and more eager to take him.

it hadn't even been 5 minutes with the new sex toy when you started to become desperate.

desperate for more.

desperate for jake's touch.

"babe, i need you," you managed to breathe out through the moans that escaped your lips, "now, please."

jake's ears turned red at your sudden begging, his pants somehow getting even tighter than they were before which he didn't think was possible.

"b-but we haven't even gotten to the last toy yet-"

"i need you to shut up and fuck me already; i can't take it anymore."

to say that jake took your statement and ran with it would be an understatement.

immediately, jake practically threw the sex toy to the side and took it upon himself to spread your legs further apart to get an even better view of your desperate hole. he could tell just by looking that fitting his entire cock in you would be a difficult feat.

"i'm worried about you, princess. i'm not sure if you can take it," jake teased as he slowly let his fingers glide up and down your soaking entrance which caused goosebumps to form all over your body.

"i can," you rebutted, growing impatient, "let me show you."

you scooted closer to jake and began to toy with the waistband of his sweatpants, causing his breath to get caught in his throat due to the suddenness of your actions. slowly, you pulled both his sweats and boxers down to reveal his throbbing cock. you couldn't help but moan at the sight before taking it into your hand and spitting on his tip, feeling the weight of it against your palm.

"fuck," jake breathed out with a deep groan, admiring you as you lowered your head down to his cock before finally connecting your tongue to it. jake tangled his fingers in your hair as you sucked on his sensitive tip, eventually letting more of his cock slide down your throat.

unexpectedly, jake motioned for you to sit back.

"i need to fuck you right know, baby; you have no idea."

you slowly leaned closer to jake before kissing him passionately.

"show me then."

at that, jake had you positioned on your back, readying you to take him.

butterflies erupted in your stomach as you watched jake line his tip up to your entrance before grabbing your hand. you nodded at him as a signal that you were ready.

jake ever so gently let his tip pass through your entrance, not being able to stop himself from letting out a groan at the sensation of finally feeling your tight walls squeeze around his cock. you were surprised at how quickly the soreness turned to pleasure although he was barely halfway inside you, beginning to moan at the feeling alongside him.

"does it feel good, jake?" you asked him shyly.

"so fucking good, princess," he responded before leaving a kiss on your neck.

before you knew it, jake bottomed out, his tip finding a resting place at your sweet spot which caused you to let out a whimper as you squeezed his hand.

his movements were painfully slow at first due to him not wanting to hurt you, but that only caused your desire to burn deeper.

"jake, i need more," you managed to whimper out between his thrusts.

"yeah? turn around then, princess," jake smirked, "fuck, i've been waiting for this." he couldn't help but suck in a breath once you turned around for him, your pretty ass on display for him and only him.

he left a harsh spank on your ass before gently sliding his cock back inside you, earning a moan from you. your eyes rolled back at almost every single on of jake's thrusts, almost rendering you silent at times as your brain and body struggled to process the copious amount of pleasure jake provided.

jake kept a tight grip on your hips as he thrusted deep inside you, feeding off your pleas for him to keep going though he was unsure of how much longer he'd last. your walls held onto every inch of his cock, desperately squeezing him with every movement no matter the velocity,

the feeling of finally having him inside you was euphoric to both yourself and him as you both kept a tight hold on whichever one of each other's body parts either of you could manage to grab a hold of.

it didn't take long for jake to feel a familiar sensation. that familiar sensation. the one he'd only ever been able to feel against his fingers until this very moment.

"can't hold on any longer, hm?" jake panted out as he used his strength to lift your upper body toward his, your back now flush against his toned chest, "do it, then. cum for me, princess." his words almost demanding and stern, or what you'd simply call hot if you weren't so dazed from his cock to the point that he has you thinking in shakespearean.

at that, you finally let the coil that was slowly building itself up in your core let itself loose.

the feeling of your arousal coating his length sent his mind into a frenzy, pushing him closer and closer to the edge. his strokes became sloppier as you ravished in his comforting yet arousing touch.

you didn't care that you could already feel your cunt becoming sore; you wanted more and jake was more than happy to please you to your absolute limit. that being said, you let him pound your pussy until he reached his climax. the two of you moaned in sync as a mix of his seed and your warm arousal wept from between your legs.

jake gently lowered your body back down onto the bed as he sexily brushed his hair back with his veiny hand. his unintentional sex-appeal drove you insane even immediately after you just let him fuck you silly - it almost gave you the confidence to ask for a second round if you were being completely honest, but alas, you were already sore enough and didn't want to push your luck.

"thank god we finally did that," jake looked up to the ceiling before turning over to give you a kiss, "i hope you're ready to do it even more because i'm afraid i can't get enough of you, baby."

"so does that mean..."

"round two?"

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a/n: I AM NOT AFRAID OF MONSTER COCK JAKE TRUTHING ‼️‼️

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©yunjardi on tumblr 2025

[shitpostingsapphic]

You know a character is overhated when people have to make up shit that didn't happen on order to justify that hatred.

"Caitlyn gassed the whole city of Zaun" wrong. She uses the grey as a weapon to incapacitate the chembarons in their hideouts, specifically. The montage SHOWS us this. She does this in a strike team she creates as a means to avoid an all out invasion led by the Noxian forces, which would have meant the deaths of several innocents. Even if the grey might have spread minutely to affect civilians, the chances are slim, and the grey is nothing more than factory smaug. Objectively, a handful of civilians breathing factory smaug for a brief amount of time is worlds better than numerous innocent people dying. Even in her rage, Caitlyn knows mercy.

And I guess these same people falsely overstating Caitlyn's actions don't want to talk about Jinx using gas bombs indiscriminately on the entirety of Piltover, intentionally harming innocent civilians. Or that her fishbones blast ALSO killed innocents.

No, I guess we only want to talk about the intentional harming of innocent people if it's Caitlyn doing it, and you have to outright lie about her intentions and the severity of which she acts in order to do so.

And the thing is, when you do shit like this, it makes it impossible to talk about other characters, like Jinx, their faults, their good and bad, without then making others assume that their character deserves hate the way you hate Caitlyn. I love Jinx. She's a fantastically written character. But I call out her actions and the way she harms others and you assume I'm calling her a bad character undeserving of an audience's love, right? The way you are with Caitlyn?

Arcane is supposed to be a show where we're able to discuss the spectrum of morality. And it's actually done phenomenally well, but people like you want to look at things in a very black and white way. You're looking at it on a class based system. If someone is from Piltover, no good deeds they do can be considered if they do something bad. If they're from Zaun, every evil thing they do must be defended in some way. Because privilege and oppression are the ultimate markers of good and evil to you. There's no complexity to be had there for you. People of privilege can't feel pain. Oppressed people can't cause pain.

It's narrow minded.

I love Arcane because we CAN discuss this complexity that exists. And I guess it makes sense why you hate season 2, because it made it impossible for you to stay with your narrow minded way of thinking.

[comicaurora]

A bit of a strange question, but if there were any of your videos you were to "remake" today for any reason (ex: you feel like you misrepresented the original text or spread misinformation), which would it be and why? None of them is a perfectly valid answer

Again: bit of a strange question, but I've been thinking about my own creations and how I could have done so much better with some of them, but I also know that is a sign of my growth and constantly chasing "what if I did this instead" isn't always healthy for nurturing a creative mindset, and I was wondering what your opinion might be as a Creator of Things with a bit more experience than I

There's been a few trope talks where I've thought later of other angles I could've explored that might warrant sequels or part 2s, but I don't dislike any of the summaries enough to justify a rework.

I always find "I could've done this better if I made it now" to be a bit of a fallacy. I'm only better at making things now because I made all those earlier things. If I knew everything I'd learn from making a project before I started the project, it wouldn't come out the same.

I think when it comes to the "rework remake perfect" instinct, it helps to zero in on what the impulse is really grounded in. In my experience, more often than not, it's not actually about making the art better, except incidentally. It's usually about showing that you are better. It's demonstrating your competence and your higher standards and your skills, and more importantly it's overwriting the proof that you were once less than perfect. If people look at your old work and think that's all you're capable of, they'll be judging you poorly!

If that's the motivator, it's a very unhelpful one. You can't control for being harshly or incorrectly judged. It's a fruitless effort to stave off potentially upsetting outdated criticism, and it's not even going to work. Fear of critique is an unreliable and untrustworthy motivator.

If it really is about making the art itself better, perfecting your magnum opus with your newly leveled-up skills, that's a little more solid. But from where I'm standing, it's always better to use those skills to make something new instead of polishing something old. The older, unpolished work has already acquired its audience that finds it appealing for reasons that might never occur to you. Trying to bury or overwrite it just deprives that audience of the thing they like, and maybe makes them feel bad for having liked it in the first place. Also, usually when you look back on the older work, you'll conclude that the problem is everything and it'll need to be torn down and started from scratch. I know when I revisited the first three chapters of the comic, when I let my critic brain spin up, it wasn't shading or lineart I wanted to fix - it was panel composition, overall pacing, the entire structure of the chapters as a whole. I would've had to make them all over again to be happy with them, and they wouldn't be the same story by the end.

I've been thinking a lot about the Discworld through this lens lately. It ended up over 40 books long, but everyone agrees that the first two are not what you should start with, because they're the worst ones. They're entirely parodic, purely referential of at-the-time major fantasy series, and borderline mean-spirited in places. If you haven't read Fafhrd and the Gray Mouser and Dragonriders of Pern, you're not gonna understand like a full 50% of The Colour Of Magic.

It's clear that when he started in on them, Pratchett was entirely focused on taking the piss out of a genre he found mostly shallow and unimpressive. But the Discworld wouldn't leave his head, and everything he made fun of he clearly eventually found himself overthinking. He'd make little one-off jokes in the early books about Dwarves having no women and a hundred words for gold, and then twenty books later he'd have a Dwarf gender revolution make waves across the Disc, and then he'd write Thud!, a book that delves deeper into the nuances of Dwarf societal structure than Tolkien ever did.

If you look for them, there are continuity errors everywhere in Discworld. In his introductory book, Carrot defused a dwarf bar full of rowdy brawlers by guilting them all into writing to their poor lonely mothers back home. Shortly thereafter, Carrot will be outraged at the mere concept of an openly female dwarf. Pratchett even eventually wrote Thief of Time, a book that loosely explains that the Disc makes no sense because history has been broken and put back together incorrectly twice, and therefore any continuity errors are because of that.

He's the writer. He could've gone back and fixed it, edited the reprints to be less disruptively discontinuous with the later books. Instead he continuously moved forward and allowed the world he made to grow without cutting it off from its roots. And because he didn't bury his older, far worse work, we have the privilege of following the Disc's evolution from the very start, and seeing how this shallow, stock fantasy world parody became something incredibly rich and complex without ever pretending like its early installments never happened.

Anyway, that's why I think it's better to move forward. You make more good stuff that way.

[auroreliis]

what if reader had k*lled someone before and the batfam (yandere) dis not know like «I dont need your damn protection» reader said to the batfam «but the world is so dangerous out there and your just a baby» the batfam said to reader « B!TCH I have k*lled someone the f you mean im a baby?!?» the batfam with horrified expresion «WHAT!!!!!!!!!!!!!»

That last little part is a funny little over dramatic way it might go.

Oh, you are COOKED. (Do pardon my use of brainrot language...)

CW: mentions of murder...obviously

The first thing they do is isolate you in a room and keep you there for a while until they figure out what to do with you (and so you can think about what you've done).

What happens next? Therapy sessions, which they all agreed on.

Don't worry, you will tell them everything, specifically Bruce, since he's the one carrying out the therapy sessions.

"Why did you kill that person?"

"How do you feel about it now?"

"Do you regret it?"

"How do you feel after our conversation?"

He pities the person you ended up killing and feels a little disappointed. A life was taken by you, an innocent person's life. He didn't raise you like this, did he...?

However, he also pities you. Unless you are trained to kill someone, it breaks you. He's seen it so many times, people commiting murders and then panicking, breaking down, because they couldn't live with the consequences of their actions.

You're a mere civilian, how could you ever have been exposed to that kind of environment? How could he let this happen? No, it is his fault for waiting so long before saving you from the world. He will teach you why it's wrong. He will make sure you heal and never take another life again. After all, it is his job as your father to guide you in life.

That's right, the only reason you could've done it is because you didn't know any better. You are a mere child in this old, cruel world, after all.

In the end, he holds himself accountable. He should've done better. He should've protected you better from the cruel world you live in.

Dick would be shocked. His little birdie, his angel, killed someone? Impossible. You're so innocent, like a baby, so how could this be true? He would take some time off to come to terms with the fact that you're not the kind of person he expected. When he comes back, after a week, he seems slightly distant.

With time, following your therapy sessions, he will return to his normal, clingy, annoying self. However, you can't help but wonder why he was acting so weird that one week.

Despite the fact that he also kills people, Jason is incredibly suprised and disappointed after hearing that you killed someone. Unlike everyone else, he feels anger. You're so young, so innocent, you grew up in a place where murdering someone was not necessary, so why would you do it? He doesn't kill people because he wants to, he only does it because he needs to. But you didn't need to do it.

That's what upsets him most. You chose to do it. You willingly took a life.

Despite being so hurt, so broken, he still feels an ounce hesitation when killing people, so how come you, someone who didn't go through what he did, could kill someone in a situation that wasn't even self-defense? Nothing could possibly justify it! And here you are, proudly announcing it to them. You should be ashamed.

He kills murderers, so what should he do with you? Does that make you as bad as the criminals he kills? God, he doesn't even want to think about it.

Jason won't get over it for at least a month. He'll be very distant around you and won't be seen smiling for a long time. Towards you exclusively, his behaviour becomes incredibly bitter. In fact, he's the one who most strongly encourages Bruce to carry out the long, grueling therapy sessions. He really thinks it'll do you good...

Tim's reaction would be more mild than expected. He would certainly feel uncomfortable with the fact that you seemingly feel not an ounce of guilt or regret. However, he wouldn't change his behaviour too much for too long.

During the first week, he'd be a bit more careful with his affection towards you. No, it's not because he's scared. He simply wants to observe you and see how effective the therapy sessions are. If he feels that your attitude towards murder hasn't changed, he would encourage Bruce to be more intense during the therapy sessions.

He would be more careful with the activities he offers you, since Bruce called a meeting with everyone to establish more rules, those being directed at Tim mostly. Tim's "cool, lenient older brother"-act needs to change.

From now on, no crime films or shows (especially not any violent ones), no crime documentaries, no crime or detective books, no vular language, no threats towards anyone or anything and for at least 14 months, no leaving the manor.

This change will probably be permanent.

[rowie264]

For me it's easier to sympathize zaunite characters rather than piltovan ones simply because they have self-awareness

Silco knows he flooded Zaun with drugs, he knows what this shit does to people. He does it anyway to achieve his main goal - Nation of Zaun.

Jinx is aware she is crazy. She basically spells it out in s1 ep9. She knows that she killing ppl is bad. She just doesn't care

Sevika is Silco's right hand man. She does dirty job for him and and understands perfectly well how his methods affect Zaun. She doesn't even question it because his methods work, and as long as they work, she will work with him.

Singed is just the same. He'll do anything for his daughter no matter how horrific his actions are. He doesn't justify it, simply states it was "for love".

And what we have with piltovan characters? You see because s2 is trying to pretend that oppression wasn't such big thing all piltovan characters looks even worse.

Caitlyn gasses people (and not only barons and their goons, gas spreads), using her priveledge as a Sheriff and Councilor's daughter. She never adresses that and never spells out what had she'd done. Like, yeah, she says "we can't erase our mistakes" (s2 ep8) probably not meaning just Jinx's but also her own but that's so… shallow. Like writers couldn't let her really say aloud what she'd done and face consequences bc it would makes bad things too real.

Heimerdinger was one of the founders of Piltover and councilor. He either didn't know, either didn't care to figure out what happens in Undercity for decades. Like, he goes to Zaun after he gets kicked out from Council and finally realises how badly ppl live there but… he just closes his eyes on it? Again?

Jayce killed that kid in s1 and regretted it but once his mother tries to revenge him? Builds weapons immidiately as countermeasure and moves on. He kills dozens of zaunites in Viktor's commune by killing Viktor and doesn't show even a hint of remorse. Like yeah, they were gonna become creepy robots but you know they were still humans when he killed Viktor. Also he (with approval of the Council for sure) places that Hexgates' big core (dont remember how that shit was called) underground and if that thing would blow up Zaun would be left without water and fresh air. Spelled out by Ekko and immediately forgotten.

In the end by removing characters' awareness of their actions and lack of reflection makes piltovan characters either hypocrites, either stupid, either both. And no, i don't want all these characters to be punished for what they did (all chars - except Ekko maybe - would end up in jail lol) I just want characters to realize what they did. I want impact of their actions/inactions. I want real consequences. I want them to face these consequences, not just brush it aside. And then i want them to act according to their personalities, even if i personally wouldn't like what they'd do.

[gallusrostromegalus]

As someone a bit too young to have seen Bleach the first time around, AEIWAM is still consuming a crucial portion of my brain cells. So imagine my surprise when I looked up Tousen, the reason you started this behemoth of an alternate universe, on TV tropes.

Among other shocking revelations...

WHAT DO YOU MEAN, HE JOINED AIZEN OF HIS OWN FREE WILL IN CANON???? What do you MEAN, TITE KUBO, that the reason your Tousen wants to destroy the Shinigami is that his crush died of DOMESTIC VIOLENCE???

Who is this man and what has he done with my eternally suffering Tousen?

You understand why I had to take custody of this poor bastard.

I can respect what Kubo was going for- Aizen was right in the fact that Soul Society does suck, and the extended canon is that Tousen's crush was killed by her husband, everyone knew it, and nobody would prosecute the husband because he was a Noble. Canon Tousen is, more or less, suffering from the same kind of rage-based brainrot that is unfortunately so common these days- the idea that because a system is imperfect, or ever corrupt, that it's a good idea to tear the whole thing down/restart the universe (the real Path Of Least Harm is of course, the much more complicated and frustrating work of Dis-and-re-mantling the system piece-by-piece without leaving vulnerable people to fend for themselves, but that isn't as emotionally satisfying or fun to draw as senseless destruction, but I digress).

but his arc is only barely on the page at all, mostly after his death and contains one of the blandest and most obnoxious tropes- fridging- and the whole thing falls flat. It also fails to explore the FASCINATING angle of disability and tbh, racism in soul society- two VERY fucked up things that would very much justify his rage. But it's shonen and the series was deep in production hell at that point, and tousen was far from the only victim. I still don't know what the fuck Gin's deal was.

ANYWAY,

Notable changes between Canon!Tousen and AEIWAM!Tousen and some art under the cut:

Kakiyo is Kaname's adopted sister, and despite looking nothing alike, since they re-incarnated in soul society at the same time, they regard themselves as twins.

Kakiyo does kind of a lot in the plot before her demise- she's responsible for introducing Kaname and Komamura, teaches Zaraki and Yachiru how to read, and unintentionally helps Aizen by recommending him to be promoted to third seat in the 5th division, because she and Kiganjo were thinking about starting a family soon, and Aizen would make a good stand-in for her while she was on maternity leave.

She also gets to do a bunch of stuff after she dies too!

The characters in Tousen's name approximately mean "Necessary Scholar" and make an allusion to a legendary scholar from China who came to Japan to find the elixir of immortality for the emperor. He returns with an elixir that stops the emperor from aging, and the emperor kills him so he can't make anyone else immortal (the emperor doesn't age, but he's still vulnerable to stabbing, and gets stabbed). I thought that was an extremely fun literary allusion so I'm leaning into it- before he becomes a Shinigami, AEIWAM!Tousen took over the library run by his ans Kakiyo's adopted godparents, and ran a children's literacy program. he has a special interest in information sciences and educational methodology. even among nerds, he's a mega-nerd.

Kakiyo meets and marries Gosuke Kiganjo, who goes back to West 51 to meet his beloved's brother and the weird giant monk that runs the library with him. Kaname is immensely fond of Kiganjo, and has no qualms being the best man at their wedding. He and Gosuke are good friends for the first few years of the marriage, until Aizen gets his claws into Gosuke and slowly drives him insane.

In AEIWAM, Tousen is cursed into going along with the plan by Aizen. Aizen was just going to make Kiganjo kill him, but Gin is getting impatient with Aizen's hogyoku progress, and persuades Aizen into cursing Kaname into compliance instead with a Forbidden Bakudō: Kyuunodo — Ningyō Kugi Saiyaku (人形釘誓約, Puppet Nail Covenant)

I do keep the canon!Tousen's reputation for being pedantic, unecessarily critical and generally kind of boring. The reason for AEIWAM!Tousen's reputation is different: He is kind of a pain in the ass, because he is in Horrific Pain and Deeply Traumatized and that makes people irritable to say the least, and he deliberately cultivates a reputation for being Boring to keep people far, far away from him- and hopefully, far from Aizen as well.

An underrated bit of Canon!Tousen is that Suzumushi is not his zanpakuto. Suzumushi was Kakiyo's zanpakuto, and we see him take the sword from her coffin in the manga. Which is insane because it means HE ACHIEVED BANKAI WITH A ZANPAKUTO THAT WASN'T EVEN HIS. Dude is SEVERELY underrated as a swordsman. In AEIWAM, Suzumushi is still Kakiyo's zanpakuto, and only BARELY clings to life on the last reserves of the Spiritual power Kakiyo put into her before Kaname finds her. Suzumushi persuades him to take her up, enter the academy and bring Kakiyo's killer to justice (Suzumushi has fallen to Aizen's illusion and doesn't know who the killer is). She kind of glosses over how they bond, but she more or less crawls into his soul and supresses Kaname's native Yume-kon that would have been his own Zanpakuto spirit if it had been allowed to awaken. She did make an entirely new Shikai and Bankai for him- the chime that makes people lose conciousness is entirely new, the AOE of Just A Shitload Of Swords was Suzumushi's original Shikai. The Bankai of a space where anyone not touching the sword experiences no sensory input? Suzumushi made it first and foremost as a refuge for Kaname when the pain of the curse became to unbearable.

The biggest difference, of course, is that Kaname lives through the Aizen Arc and gets a Happy Ending: Once he wakes up after the battle, he is free, and chooses to marry the wolfman he's been in love with for centuries. Here's some art of them, finally home: